InterviewChecking In With… Aladdin Star Michael James ScottScott can currently be seen in the world premiere of the digital musical A Killer Party: A Murder Mystery Musical.
By
Andrew Gans
August 17, 2020
Michael James Scott
Marc J. Franklin
As the temporary shutdown of Broadway and theatres around the world continues, Playbill is reaching out to some of our favorite artists to see how they are physically and creatively responding to a changed world.
The series continues with original Aladdin cast member Michael James Scott, who has played several stints as the Genie in the hit Disney musical at Broadway's New Amsterdam Theatre. The actor, who served as a standby when Aladdin first opened in 2014, went on to play the Genie full-time in Australia, in London's West End, and in the North American tour. His additional Broadway credits include Something Rotten!,The Book of Mormon, Elf, Hair, The Pirate Queen, Tarzan, All Shook Up, and Mamma Mia!. Scott can currently be seen in the world premiere of the digital musical A Killer Party: A Murder Mystery Musical. The nine-episode musical is available for purchase via AKillerPartyMusical.com.
Michael James Scott and Ainsley Melham in AladdinDeen van Meer
What is your typical day like now? A typical day now is so different because each day always feels different. I start my day off with a fierce latte and usually an omelet and watching TheView. During this time I usually do a run down of what’s on the calendar, and usually it’s starting off with some sort of virtual class or appearance for a group that I’m teaching or doing a Q&A with. There’s also some kind of singing for either a benefit or filmed song for various organizations. Alot of scheduled FaceTime calls with friends… All of a sudden, it’s the end of the day and my husband and I usually take a walk around the neighborhood for some exercise. I’ve been doing a lot of cooking during this time, so when we get back from the walk I usually make us dinner, and I love that time because it’s like my own office, and I watch TV and dance around making meals! Then, usually we end with some kind of TV time, whether it’s a movie or TV show—oh yeah, and there are dog walks thrown in there as well... How could I forget about our princess Frenchie Chloé Phylicia!
What book/TV show/podcast/film should everyone take the time to consume during this period? Michelle Obama’s Becoming (I recommend doing the audio book because she is reading it, so it’s like you’re having a kiki with her in your car or wherever you’re listening to it).
During this time of reflection and re-education regarding Black artists and artistry, particularly in the theatre, what do you want people (those in power, fellow actors, audiences) to be aware of? What do you want them to consider further? I am hopeful that people are actually listening and are actually challenging themselves to think about this time. And that it’s OK they may feel uncomfortable. That we all have grace for growth and that inclusivity and just diversity is a part of the narrative.
Michael James Scott and the cast of Something Rotten!Joan Marcus
What advice would you give to someone who may be struggling with the isolation and/or the current unrest? Shoshana Bean and I had a catch up, and during that conversation she said to "breathe through the uncomfortableness," and I love that. It’s helped me personally, and I say it to everyone now!
How, if at all, are you keeping your creative juices flowing? Has that been helpful to you? This is a challenge, but I think getting to do a number of virtual classes and talks and panels has really been such an incredibly creative flow for me. I am trying to keep all that going as much as possible.
Are you working on any theatrical projects during this time? I’m working on a couple things… I was a part of a full, self-isolated digital new musical with a core of artists of about 40 people, and it’s pretty epic!! It’s called A Killer Party, and I couldn’t be more excited for the world to see it. It’s available for streaming right now everywhere. Everything was done individually, and wait till you see how it all came together. The other project I’m working on, I’m not allowed to talk about it yet, but stay tuned!
Spend a 2-Show Day With Aladdin's Michael James Scott
Spend a 2-Show Day With Aladdin's Michael James Scott
23 PHOTOS
Hydration Station…. Looking out and gazing at a two show day. My day starts with drinking lots of water. It’s the basics that keep you healthy in an eight show week schedule (SLEEP & WATER)
It’s a grooming day. Every other day I do a full shave of the face and head. The head so that the Genie glitter can shine really bright and the face because a shaved head and goatee is actually part of the official look for the Genie….. meaning it’s part of my job to maintain that look for the role!
One of my favorite times is at the start of the day when it’s my chill time. I usually watch The View, Wendy Williams and the Food Network… what you don’t see me holding my phone checking all my news outlets and social media outlets… gotta get my news/pop culture in!!
No start of my day is complete without a visit to my FIERCE local coffee shop Devocíon for an iced latte!!!
Time to get my grub on!! Today before my first show, I’m having brunch with my very dear friend Anne.
I made it to my matinee. It’s time to sign in and check the call board for any information needed for the day. When you arrive to the theatre all the actors have to sign in on the call board so that stage management know you are in the building. This is also where you can sign up for Physical Therapy, read for any news of the show including if anyone is out of the show. It’s the news head quarters of Agrabah!
At about 50 minutes before showtime, my pre-show preparations begin. The lovely Rich Fabris from the hair department along, with the sound, helps with get my mic on. Fun Genie fact …. I have 2 microphones in my goatee…. then the cord is taped down and make-up is applied so you don’t see it. A little Disney Magic right there!!
Always a treat with a pre-show dressing room visit by THE one and only Don Darryl Rivera, who plays Iago in the our show.
Now the Genie Magic begins. The gorgeous Hair & Makeup supervisor Cheryl Thomas (aka Aunt Cheryl) gets my Genie glam on with her flawless make-up job EVERY show and then glitter a go go. Fun fact… after the opening number I go down to the basement to meet Aunt Cheryl before I head back up to my dressing room to get GenieFIED!!!
Act 2 of the matinee is about to start, and my fabulously gorgeously incredible dresser Cathy Cline gets me Genie-ready!
One of my favorite times during my day when I’m at the show is getting to see the magic backstage and our incredible crew in action.
It’s in between shows…. Today I have a rehearsal for the 5th Anniversary Celebration of Aladdin on Broadway and a surprise five-Genie performance is happening. Our original Genie James Monroe Iglehart, myself, Major Attaway (who was also the Genie on Broadway and now on the National tour), and our two standbys Juwan Crowley & Deonte L. Warren, along with our genius director/choreographer Casey Nicholaw, are all in a room having no fun at all.
Five Genies walk into a room!!!!!!
Just a little bit of time for a quick physical therapy session with the incredible Sarah Nolan from Physio Arts. Fun fact: I’ve worked with Sarah for four shows, which has been incredible to be able to work with someone who knows your body and what work needs to done! Thank God for these theatre angels who keep us all healthy on Broadway.
I usually try and get in a quick nap between shows as well . . . Today, though, Jafar just couldn’t help himself than to crash my nap.
In between show Chai time!!!
A quick visit with Arielle Jacobs…. The Princess and her puppy!!! How cute are they!!!!
SATURDAY NIGHT ON BROADWAY CRAZINESS!!!!
Before the curtain goes up!!!!! Here we go… second show!!!
Ok it’s Show Time!!!
Michael James Scott
What a crazy exciting 2 show day… and now I turn off the dressing room lights and go
Co-presented with The Grammy Museum, the event came just after the Best Musical winner picked up a 2026 Grammy nomination for Best Musical Theater Album.