Following its six-week run at Toronto's Royal Alexandra Theatre, the North American tour of the musical Fame will make its U.S. debut in Philadelphia at the Merriam Theatre on Dec. 27. Fame opened in Toronto Nov. 9 and will play there until Dec. 19.
Here are the U.S. tour dates:
Dec. 27, 1998-Jan. 2, 1999: Philadelphia, PA, Merriam.
Jan. 4-9, 1999: Ottawa, Canada, National Arts Center
Jan. 11-16: Chicago, IL, Chicago Theatre
Jan. 18-23: Milwaukee, WI, Riverside Theatre
Jan. 25-30: Minneapolis, MN,
Feb. 1-6: Norfolk, VA, Chrysler Auditorium
Feb. 8-13: Washington, DC, Warner Theatre
Feb. 15-20: Wallingford, CT, Oakdale Theatre
Feb. 22-26: Providence, RI, Providence PAC
Mar. 1-6: Rochester, NY
Mar. 8-13: Hershey, PA, Hershey Theatre
Mar. 15-17: Utica, NY,
Mar. 22-27: Baltimore, MD, Lyric Opera House
Mar. 28-Apr. 3: Naples, FL, Philharmonic Center
Apr. 5-10: Miami, FL, Jackie Gleason Theatre
Apr. 12-17: Greenville, SC, Peace Center
Apr. 19-24: Montreal, Canada, Place des Artes
Apr. 26-May 1: Detroit, MI
May 3-8: Kansas City, MO
May 10-13: Schenectady, NY, Proctor's Theatre
May 17-22: Wilmington, DE, Playhouse Theatre
May 31-June 5: TBA
June 7-12: Greensboro, NC, Coliseum/War Memorial
June 14-19: Kalamazoo, MI, Western Michigan University
June 21-26: Indianapolis, IN, Clowes Memorial Hall - Butler University.
Here are the songs in the show:
"I Want to Make Magic"
"Can't Keep It Down"
"There She Goes!/Fame"
"Let's Play a Love Scene"
"The Teachers' Argument"
"Hard Work" (Reprise)
"I Want To Make Magic" (Reprise)
"Think of Meryl Streep"
"Dancin' on the Sidewalk"
"These Are My Children"
"Let's Play a Love Scene" (Reprise)
"Bring on Tomorrow"
Fame began in 1980 as a movie musical about students at New York's High School for the Performing Arts. It won two Academy Awards and in 1982 became a television series, running for six years. The television series has since been seen in 68 countries and a spin-off series, "Fame L.A.," is now in production. The tour, which has been in development for seven years, is directed and choreographed by Swedish star Lars Bethke, who directed successful productions of the musical in Sweden and a production currently touring Germany. Music for the stage production is by Steve Margoshes with lyrics by Jacques Levy and book by Jose Fernandez.
Composer Margoshes won a Drama Desk Award for his orchestrations of The Who's Tommy on Broadway. Other Broadway orchestration credits include Smokey Joe's Cafe and Grease!. Librettist Fernandez, who appeared on Broadway in The Me Nobody Knows, died of AIDS in 1994.
Spokesperson Alice Herrick (of Cromarty & Co.) told Playbill On-Line (Nov. 6) there were no current plans to bring the show to Broadway yet. Months earlier, she explained to PBOL, "They want to see how the tour goes, hear what people are saying, etc."
Asked about casting for the U.S. Tour, Herrick said, "The producers hope to take the best elements of the London and international stagings. The show just finished in Paris and the response was sensational."
The stage musical premiered at Miami's Coconut Grove Playhouse in 1988 and was later seen at Philadelphia's Walnut Street Theatre, but has never been presented on Broadway or as a U.S. national tour.
Self-proclaimed "father Fame" David De Silva conceived the story of Fame and developed the musical. A major North American production has taken so long, he said (in 1997), "because we ideally belong between Broadway and Off-Broadway. We can't set it up as a $75 ticket."
De Silva recently created the Father Fame Foundation and with it he hopes, "To present Fame every summer in New York City with New York City students." The proposed venue is the New York State Theatre at Lincoln Center. If De Silva finds the sponsor he is looking for, Fame fest could begin in Aug. 1999. "I want to be The Nutcracker in the summer," he said. What's most important to Da Silva, a former teacher, with this project, "is the education" it would give students, "I feel the time is right so that people are exposed to all levels of theatre arts."
Fame has already made its way around the world, including a German tour (with an American cast) that reached Milan, Vienna, Zurich and Paris. A Japanese production played in Tokyo; Polish and Spanish productions both toured.