Last Chance: Fosse Strutting Out of Boston Sept. 27; L.A.'s Next, Oct. 9-Dec. 6

News   Last Chance: Fosse Strutting Out of Boston Sept. 27; L.A.'s Next, Oct. 9-Dec. 6
The derbies and white gloves will be packed away Sunday, Sept. 27, in Boston when Fosse: A Celebration in Song and Dance ends its Colonial Theatre run in anticipation of Los Angeles.

The derbies and white gloves will be packed away Sunday, Sept. 27, in Boston when Fosse: A Celebration in Song and Dance ends its Colonial Theatre run in anticipation of Los Angeles.

The contrasting black and white costume accessories were trademarks of legendary choreographer Bob Fosse. The pre-Broadway stand of this Fosse tribute, at the Colonial since Sept. 8, is part of the in-process creation of the Livent-produced revue. Dances created by the late Fosse comprise the show. For tickets to the Colonial engagement call (617) 931-2787.

The Broadway tryout, with implied artistic tweaking, continues at L.A.'s Ahmanson Theatre Oct. 9-Dec. 6 (opening Oct. 19) and Broadway previews at the Broadhurst Theatre begin Dec. 26, with an opening set for Jan. 14, 1999.

* Fosse began a world premiere six-week Broadway tryout July 16 at Livent Inc.'s Ford Center for the Performing Arts in Toronto.

The building of Fosse's momentum should come as a relief to those who were worried Livent's recent financial troubles (including the suspension of former CEO Garth Drabinsky for keeping two sets of books) would adversely affect upcoming Livent projects, including Seussical and The Night They Raided Minsky's. Fosse, a song-and-dance revue in three acts, collects an entire evening's worth of dance standards from the man whose distinctive dance style was showcased in Sweet Charity, Damn Yankees, Chicago, Dancin', the film of Cabaret and All That Jazz, plus many other Broadway shows and films. Among the numbers in Fosse are five film numbers that have never been seen on stage.

The Broadhurst was a lucky house for Fosse -- that's where his Dancin' ran 1774 performances.

Also on the production team is Ann Reinking, who won a Tony for choreographing Broadway's current Chicago revival "in the style of" Fosse. She serves as co-director and co-choreographer, helping Richard Maltby, Jr., and Chet Walker, respectively.

Reinking is obviously a Livent favorite, since she's already beeen tapped to choreograph the company's upcoming revival of Rodgers & Hart's Pal Joey. Other Reinking credits include acting in the Bye Bye Birdie national tour and starring on Broadway in the Fosse-directed Sweet Charity.

The show will have no narrative and be styled in a vein similar to Maltby's Ain't Misbehavin', in which music and dance drive the storyline. Gwen Verdon, star of Sweet Charity and the original Chicago, serves as artistic advisor to Fosse, while Verdon and Fosse's real life daughter, Nicole Fosse, served as Ballet Mistress to the show's eight week workshop in Toronto.

Featured in Fosse are recreations of such Fosse hits as "Life is Just A Bowl of Cherries," "Bye Bye Blackbird," "Steam Heat" and "If My Friends Could See Me Now." Film-based sequences include "Take Off With Us" (from All That Jazz, "Alley Dance" from My Sister Eileen, "Mein Herr" from Cabaret, and "Cool Hand Luke," originally performed on a 1967 Bob Hope TV special.

Dancers in the show include Scott Wise (State Fair), Valarie Pettiford, Jane Lanier, Mary Ann Lamb (Chicago), Eugene Fleming, Desmond Richardson, Sergio Trujillo, Kim Morgan Greene, Dana Moore, Reva Rice.

Designing Fosse are Santo Loquasto (set & costumes), Andrew Bridge (lighting) and Jonathan Deans (sound). Loquasto's recent credits include Ragtime, Nine Armenians and Barrymore.

For Fosse tickets on Broadway, call (212) 239-6200.


At a Feb. 24 preview of the show, producer Drabinsky (since deposed from Livent) told the invited press, "Fosse was one of a handful of musical theatre artists who put his recognizable stamp on everything he touched. We want to honour that and keep it alive." Added director Maltby, "Bob Fosse's original work had to be reconstructed. It's now on paper, all of the steps, how it's done, and then some. So this body of work now exists. That's an achievement in itself."

Walker stressed that the idea of the show is to give Fosse back to a generation that doesn't know his work, as well as to keep his work a part of the dance vocabulary forever.


At the Fosse press preview, it was history come to life as a group of hoofers took to the tiny Walter Carsen Centre stage with a crisp new version of Rich Man's Frug (from Sweet Charity) and Mr. Bojangles (from Dancin').

The black-and-white leotards, bowler hats and splayed arms and legs dazzled a tiny crowd of invited press and it was as if somewhere just offstage, Bob Fosse had to come to life and was snapping his fingers in time to the music.

The company did just two numbers and a bit, but that was enough to know that the 34 dancers had managed to soak in the archness, angles and attitude that exemplified Fosse's brand of choreography.

In addition to serving as co-director and co-choreographer for Fosse: A Celebration in Song and Dance, Ann Reinking will create the original choreographer and join playwright Terrence McNally, director Frank Galati and musical supervisor John Mauceri on Livent's upcoming "restoration" of the classic Rodgers and Hart musical, Pal Joey.

A first reading of that show was scheduled to take place at Livent's Fifth Annual Summer Festival of New Works at York University this summer. A first, out-of-town production, in a city to be announced, is anticipated by the end of 1999.

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