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Leslie Jordan has been a four-foot-eleven-inch majority-of-one in the shows he has brought to New York (Hysterical Blindness and Other Southern Tragedies and, last spring, My Trip Down the Pink Carpet), so it's conceivable he has looked around the stage of the Little Shubert, where Lucky Guy is playing, and wondered what all these other people are doing on the stage with him.
"I'm learning to be a team player," says the diminutive comedian, who is used to writing and executing his own stuff, unfettered by such "living scenery" around him.
It's a small miracle that (1) he ever crossed paths with Willard Beckham in the first place and (2) they converged so harmoniously. Beckham hails from the opposite end of the sociological totem pole, having spent all of his time on Broadway as a member of the ensemble (Lorelei, Something's Afoot, The Utter Glory of Morrissey Hall), and he was inspired to write the book and two dozen songs for Lucky Guy — and direct it — by the ultimate ensemble film-epic, "Nashville."
photo by Krissie Fullerton |
In previous incarnations, the C&W diva — Miss Jeannie Jeannine — has been played by the Tony-winning likes of Kelly Bishop, Faith Prince and Victoria Clark, but for this edition the role will be played by a statuesque drag queen, Varla Jean Merman (aka Jeffery Roberson).
Jordan is her ever-lovin' Big Al, a smarmy used-car dealer who runs Right Track Records and barely reaches her boobs in his stocking feet. "We're Boris and Natasha," cracks Jordan, who is bedecked and bedazzled in the original sequin-excess designs of famed Nashville costumer Nudie, all stitched together by Long.
To Beckham, "Lucky Guy is more about show business than country music, the way Annie Get Your Gun is about show business more than it is the rodeo. That's what it is: this is about show business — but in Nashville. It's about all these people trying to get a hit record, make the right deal and turn stars overnight."