New York City Opera's VOX: Showcasing American Opera Plays May 1 and 2 | Playbill

Related Articles
Classic Arts Features New York City Opera's VOX: Showcasing American Opera Plays May 1 and 2 New York City Opera's VOX showcase runs May 1-2, including a performance of Stephen Schwartz's opera S_ance on a Wet Afternoon.


S_ance, which is aiming for a world premiere bow at Opera Santa Barbara in this fall, centers on a psychic and her husband who kidnap a young girl in order to ultimately "find" her and gain notoriety using psychic powers. The reading takes place at 9:50 PM.

Based on the novel by Mark McShane and the subsequent screenplay by Bryan Forbes, the opera features a score and libretto by Academy Award-winning and Tony nominated composer Schwartz (Wicked, Pippin, Godspell).

The cast includes Lauren Flanigan (Myra Savage), Jane Shaulis (Mrs. Wintry), Jennifer Zetlan (Miss Rose), Theodore Cheltsos (Mr. Bennett), Andrew Oakden (Mr. Cole), Michael Zegarski (Bill Savage), Michael Marcotte (Irish Tenor) and Jonathan Makepeace (Arthur).

The performers will be backed by the City Opera orchestra with members of the New York City Opera chorus also partaking.

Additional readings on May 1 include Ted Hearne's Katrina Ballads and Chandler Carter's No Easy Walk to Freedom (7-8:10 PM); Yoav Gal's Mosheh, as well as Gordon Beeferman and Charlotte Jackson's The Rat Land (8:30-9:30 PM).

Programming for May 2 includes Christopher Cerrone's Invisible Cities, as well as Jonathan Dawe and Heather Raffo's Armide (2-3:10 PM); Car Crash Opera, penned by Michaela Eremišsovš, Jairo Duarte-L‹pez and Skip Battaglia, and Anne LeBaron and Douglas Kearney's Crescent City (3:30-4:30 PM).

The final work, which marks VOX's 100th presentation, will be David Bruce and Alasdair Middleton's A Bird in Your Ear (4:50-5:30 PM).

Tickets to the VOX: Showcasing American Opera series are free. Reservations can be made by visiting vox-nyco.com.

 
RELATED:
Today’s Most Popular News:
 X

Blocking belongs
on the stage,
not on websites.

Our website is made possible by
displaying online advertisements to our visitors.

Please consider supporting us by
whitelisting playbill.com with your ad blocker.
Thank you!