Why should American producers waste their time nurturing and developing shows when there's always the new Donmar Warehouse season to raid for trans-Atlantic transfers? This week, mere moments after outgoing artistic director Sam Mendes announced his valedictory 2002 season, word spread that not one, not two, but six Donmar productions would soon bow in New York. And three of the six cases involved shows the producers had not even seen yet.
Of course, two of those three 2002 offerings were virtually impossible to resist: Chekhov's Uncle Vanya and Shakespeare's Twelfth Night in repertory, starring Simon Russell Beale as Vanya and Malvolio, and (very likely) Nicole Kidman as Yelena and Olivia. Anglophilic producers Anita Waxman and Elizabeth Williams (The Real Thing, Noises Off) snatched the double-bill up, with promises to bring it to Broadway in early 2003 (rather bravely, too, given that Broadway has seen major revivals of both plays in the last few years).
Waxman and Williams also want to bring over Christopher Hampton's Tales from Hollywood and David Mamet's Boston Marriage, both Donmar projects. Off-Broadway in fall 2002 would be the target. Phyllida Lloyd would direct the latter, starring Zoe Wanamaker.
Richard Greenberg's new play Take Me Out was destined to reach Manhattan from the get-go. The drama about sports and race will have its premiere at the Donmar in summer 2002, and then travel in the fall to Off-Broadway's Public Theater, which is co-producing it.
Finally, reports have the Roundabout Theatre Company—which continues to reap the benefits of having brought in the Donmar's Cabaret — will move the English powerhouse's revival of Maury Yeston's Nine across the sea in spring 2003, possibly putting it at Studio 54 with David Leveaux directing. The Roundabout has made no official announcement about any of this, however, including the rumored casting of Antonio Banderas in the lead. This must all make Sam Mendes feel pretty good about the work he's done at the Donmar over the past decade. And well he should. Audiences in the UK and U.S. are familiar with what gold his tenure has spun out, including Cabaret, The Blue Room, The Real Thing, Electra, Passion Play and many lesser successes. The question of who will replace him as artistic director has already inspired as much speculation in the UK as did the recent competition for the leadership of the Royal National Theatre.
The Donmar's not the only London company sending product over. The New York Post reported that the West End production of Tennessee Williams' Cat on a Hot Tin Roof, starring movie heartthrob Brendan Fraser, will reach Broadway this spring. The Cort Theatre will be its home and Bill Kenwright will produce. Anthony Page directs. However, Kenwright's office has not confirmed. Another possible arrival, Medea starring Fiona Shaw, will land at Brooklyn Academy of Music and then tour the country. If all works out, the show will be part of BAM's 2002 Next Wave Festival.