This is surprising news, and, if true, would constitute a very welcome reversal of fortune for Disney. Over the past half-decade, the theatrical arm of the entertainment Goliath has seen its reputation as a hit-maker — fostered by the tremendous successes of Beauty and the Beast and The Lion King — unravel under the weight of critical and commercial failures like The Little Mermaid and Tarzan. A new hit would do much to revive the company's image.
The New York Times reports that executives from both Jujamcyn Theaters and the Nederlander Organization have approached Disney about bringing the new musical to one of their Broadway houses.
Although Disney still plans to "release the title for licensing," executives are open to the idea of a Broadway engagement. Although no official announcement has been made, the New York Post speculates that the production may open in April 2012 at the Nederlander Theatre.
Who will star in the show, should it come to New York, may be a tricky point. Jeremy Jordan tops the bill at the Paper Mill, but the busy actor is also contracted to star in the new Broadway musical Bonnie & Clyde, which, funnily enough, is also directed by Newsies director Jeff Calhoun. (I guess if Calhoun stole away Jordan from Calhoun, then Calhoun wouldn't be too sore about it.)
Bonnie & Clyde is scheduled to begin previews in November. Of course, this could all work out organically. Jordan may very well be available by the spring if B&C doesn't hit its target with critics and audiences. ***
photo by Joan Marcus |
AP gave the work a rave, saying, "It is both uncomfortable and impossible to not watch. Discussions are certain to be sparked after the curtain has fallen, on the way out of the theatre." Beyond that, the reception was mixed. Not in the way that some reviewers liked it and some didn't it; rather, it seemed every critic found things both to praise and criticize in the piece. Most agreed the production was slick and professional, and the cast (including Jonathan Groff and Rutina Wesley) attractive and engaging. The word "enjoyable" and "watchable" came up a lot. But reviews found problems with the credibility of the story and depth of the characters. The Times called it "too theatrical for its own good. An artificial sheen gleams from its craftsmanship and its sometimes strained cleverness."
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Elsewhere Off-Broadway, Silence! The Musical, which was the surprise hit of the summer, will play an open-ended run at the 9th Space Theater at P.S. 122.
The production, which played its final performance at Off-Broadway's Theater 80 Sept. 24, will begin performances at its new venue Oct. 25. Directed and choreographed by Christopher Gattelli, the cast will be headed by Jenn Harris, who starred in the recent Off-Broadway run. Broadway favorite Brent Barrett, the biggest name in the premiere outing, will not continue with Silence!; his role is being recast. (He's playing Ben in Follies for Chicago Shakespeare Theater at the moment.)
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photo by Joseph Marzullo/WENN |
The New York Times reported that the producers will claim that Taymor was in breach of contract. The arbitration process is expected to last into the fall.
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I knew this was why actors had started writing plays!