AD: Master Monologues! | 4-week Workshops Start Oct 29 & 31

AD: Master Monologues! | 4-week Workshops Start Oct 29 & 31

CATEGORY: Career Services and Spaces

The Art and the Audition with Karen Kohlhaas
New York, NY 10011


Karen Kohlhaas

Job Details


Have 4 great new monologues by Thanksgiving!

Hi Everyone,
I'm now enrolling two groups for November
Perfect for grad school prep, agent/manager/casting director meetings;
to expand range, keep in shape, explore new writing, build repertoire.
Join us!
Karen Kohlhaas

Taught by Atlantic director & senior teacher Karen Kohlhaas, author of THE MONOLOGUE AUDITION: A PRACTICAL GUIDE FOR ACTORS, recommended by Dame Helen Mirren for her Master Class on Acting and a Backstage must-read. Karen was named Best NYC Monologue Teacher and Best NYC Cold Reading Teacher by Backstage readers.

Now Enrolling 2 groups only
Group A | THURSDAYS 11am-2pm Eastern Time | Oct 29, Nov 5, 12, 19
Group B | SATURDAYS 11am-2pm Eastern Time | Oct 31, Nov 7, 14, 21

Can't do these? Reply to this post to join my mailing list for next classes and free events

• Complete 4 new audition-ready monologues (ok to rework old ones)
• Learn a complete approach
• Learn to love monologues
• 8 actors only per group; everyone works every class
• $250

TO APPLY: reply to this post with your resume. See below for a complete checklist of what we do in class.

You'll be able to check off every item on this list at the end of our sessions. How many can you check off now

__You have 4 monologues prepared
__At least one is a "Hello, This Is Me" for agent & casting directors
__You choose material that is a great fit for you and for specific auditions
__You have a complete approach for future monologues
__You ENJOY doing monologues :) 

__You know how to stage yourself with fun physical choices
__You have variety so your monologue doesn't stay on one note
__You're comfortable with both movement and stillness
__Your body knows what to do at every moment of your performance
__You can easily adjust your performance size for stage, film, or TV.

__You choose very specific, actable objectives
__You can act with truth and connection—without a partner
__Your performance is an alive, two-way conversation—not canned or pre-planned

__You enter the room with confidence, looking delighted to be there
__You introduce/slate clearly and effectively
__You handle all transitions and questions/chat with ease
__You make a strong and confident exit from the room



October 29, 2020 - November 21, 2020



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