Broadway's After Midnight Will Close Early; Will Honeymoon in Vegas Take the Atkinson? | Playbill

Related Articles
News Broadway's After Midnight Will Close Early; Will Honeymoon in Vegas Take the Atkinson? The Tony Award-nominated musical revue After Midnight, which was expected to bring in a roster of Grammy Award-winning divas this summer, will close earlier than expected, producers announced June 14.

//assets.playbill.com/editorial/717d5b01e513de7bda042d6675d10329-labelle200.jpg
Patti LaBelle

The musical is scheduled to end its run June 29, the last performance of Grammy winner Patti LaBelle's stay. At the time of closing, After Midnight will have played 19 preview performances and 272 regular performances. 

According to the New York Times, the show's producers, led by Scott Sanders, were hoping to boost ticket sales with a Best Musical Tony win. To stay open through August (when Natalie Cole was scheduled to take her turn as guest headliner), After Midnight depended on receiving a contract concession from more than a dozen theatrical unions. That concession would have allowed the Jazz Age musical revue to temporarily shut down over the July 4 week (between guests LaBelle and Gladys Knight), but not all of the unions agreed.

The production will close at a financial loss, but investors may recoup if a national tour of the show, which is in discussions, proves to be a success.

The Times also reports that Jason Robert Brown's Honeymoon in Vegas, seen last year at New Jersey's Paper Mill Playhouse, starring Tony nominee Rob McClure, will start performances at the Atkinson this fall. No additional details were confirmed, but Brown told Playbill.com on the Tony Awards red carpet that the musical is planned to transfer to Broadway. 

Production representatives for After Midnight have not yet responded to Playbill.com's request for comment.  LaBelle followed Fantasia Barrino (The Color Purple, "American Idol"), who returned to After Midnight May 13-June 8. Knight was scheduled to play July 8-Aug. 3 with Cole performing Aug. 5-31.

Click here to read the Playbill magazine feature with LaBelle, Knight and Cole.  

*

Conceived by Jack Viertel and directed and choreographed by 2014 Tony Award winner Warren Carlyle, After Midnight began previews Oct. 18, 2013, and opened to critical praise Nov. 3, 2013. The production was nominated for seven Tony Awards, winning for Best Choreography (Carlyle).

After Midnight received an Outer Critics Circle Award for Outstanding Choreographer (Carlyle), Drama Desks for Outstanding Revue and Outstanding Choreography (Carlyle) and Astaire Awards for Outstanding Choreographer of a Broadway Show (Carlyle), Outstanding Female Dancer in a Broadway Show (Karine Plantadit), Outstanding Female Dancer in a Broadway Show (Dormeshia Sumbry-Edwards) and Outstanding Male Dancer in a Broadway Show (Jared Grimes). 

After Midnight, according to press notes, "takes the sexy, smoky glamour of the original Jazz Age and catapults it into a whole new era of heart-pounding, mind-blowing entertainment for modern Broadway audiences. Refracted through a contemporary lens, After Midnight celebrates Duke Ellington's years at the Cotton Club using his original arrangements and performed by a world-class big band of 17 musicians hand-picked by living jazz legend, Wynton Marsalis. The timeless tunes set against a narrative of Langston Hughes poetry provide an authentic backdrop for an array of cutting-edge performances by 25 sensational vocalists and dancers, including special guest stars, whose interpretations shatter everything you think you know about music, nightlife and Broadway."

The musical reintroduces the Cotton Club tradition of rotating celebrity guest stars and has featured Vanessa Williams (April 1-May 11), Barrino (Oct. 18, 2013-Feb. 9), four-time Grammy Award winner k.d. lang (Feb. 11-March 9) and Grammy Award winners Toni Braxton and Kenny "Babyface" Edmonds (March 17-30). 

Visit AfterMidnightBroadway.com.

 
RELATED:
Today’s Most Popular News:
 X

Blocking belongs
on the stage,
not on websites.

Our website is made possible by
displaying online advertisements to our visitors.

Please consider supporting us by
whitelisting playbill.com with your ad blocker.
Thank you!