Bulletin: Bells Are Ringing to Close June 10

News   Bulletin: Bells Are Ringing to Close June 10
Broadway's Bells Are Ringing is expected to shutter June 10, according to those close to the show, but no official announcement was made as of 3 PM June 4 because all of the company had not been informed.

Broadway's Bells Are Ringing is expected to shutter June 10, according to those close to the show, but no official announcement was made as of 3 PM June 4 because all of the company had not been informed.

The sunny revival of the 1956 musical comedy by Betty Comden, Adolph Green and Jule Styne did not catch on at the Plymouth Theatre, despite Tony Award nominations for Best Revival (Musical) and Best Actress (Musical) for Faith Prince.

By Sunday June 10, the revival, staged by Tina Landau, will have played 35 previews and 69 performances. A cast album was recorded and will be released later this month.


The New York City of Betty Comden and Adolph Green's imagination — where subway rides are friendly and an urban park at night is the perfect setting for a soft-shoe routine — cames to life in the first Broadway revival of Bells Are Ringing, opening April 12 at the Plymouth Theatre. After a one-week test run at The Palace Theatre in Stamford, CT, the Tina Landau-directed staging of the 1956 musical, with book and lyrics by Comden and Green and music by the late Jule Styne, returned to a rehearsal studio and then began the preview period (March 13), during which moments were tweaked, revised and refined. The dance number "Mu-Cha-Cha" was altered in previews.

Tina Landau, known for such "downtown" work as Space, Dream True and Floyd Collins, makes her Broadway directorial debut with the mainstream musical comedy, starring Faith Prince in a role created by Judy Holliday. The show's score produced two standards: "Just in Time" and "The Party's Over." The show's famous opening, "Bells Are Ringing," an advertisement for an answering service company, is seen as a giant 1950s-style TV commercial complete with smooth, sincere spokesman and rudimentary animation (part taped, part live). The show's overture offers a video montage of the period.

Tony Award-winner Prince (Guys and Dolls) stars as guileless answering-service operator Ella Peterson, who gets involved in the lives of her clients, including a sexy if unfocused playwright named Jeff Moss (played by Marc Kudisch, late of The Public Theater's The Wild Party and La Jolla's Thoroughly Modern Millie). Prince appeared on Broadway and regionally in James Joyce's The Dead, and starred in Little Me for the Roundabout Theatre Company.

Beth Fowler (Beauty and the Beast) is Ella's cousin, Sue, who runs Susanswerphone and falls for a con man, Sandor, played by David Garrison (Titanic).

Martin Moran (Titanic, Cabaret) plays a caffeinated, singing dentist named Kitchell (he stole scenes in previews, as he hummed and composed on his dental air hose), Robert Ari (Laughter on the 23rd Floor) and Jeffrey Bean (Amadeus) are cops investigating Sandor's illegal bookie operation, which has a classical music mail-order business as a front.

Julio Agustin (Fosse) plays neighbor Carl, who teaches Ella to cha-cha, Darren Ritchie plays the Brando-like actor, Blake Barton. Caitlin Carter is a socialite sexpot named Olga and Angela Robinson plays Gwynne, a co-worker. The company also includes Joanne Baum, David Brummel, Lawrence Clayton, James Hadley, Roy Harcourt, Stacey Harris, Joan Hess, Emily Hsu, Shane Kirkpatrick, Marc Oka, Greg Reuter, Josh Rhodes, Alice Rietveld, Darren Ritchie, Linda Romoff and Kelly Sullivan.

Jeff Calhoun (Grease!, Annie Get Your Gun) choreographs.Designers are Riccardo Hernandez (set), David C. Woolard (costumes), Donald Holder (lights). Don Sebesky handles orchestrations, David Evans is musical director.

Producers are Mitchell Maxwell, Victoria Maxwell and Mark Balsam for Momentum Productions, Inc.; Robert Barandes; Richard Bernstein; and James L. Simon; in association with Fred H. Krones, Anthony R. Russo and Allen M. Shore.

The show offers a breezy, satiric, but sweetly affectionate view of then modern New York City, where subway rides turn friendly ("Hello, Hello There!"), meetings in the park become reasons for singing ("Just in Time") and celebrity soirees can make a working-class girl feel inferior ("The Party's Over").

The score also includes "Independent," Drop That Name," "Mu Cha-Cha," "I Met a Girl," "It's a Simple Little System," "Salzberg," "I'm Going Back," "Long Before I Knew You," "Is It a Crime?," "It's a Perfect Relationship" and "The Midas Touch."

The original production of Bells Are Ringing ran 924 performances, under the direction of Jerome Robbins. Robbins and Bob Fosse choreographed. Judy Holliday took home the Best Actress (Musical) Tony Award and Sydney Chaplin won the Best Featured Actor (Musical) Tony, playing Jeff Moss.

Broadway Bells tickets are $50-$85. The Plymouth Theatre is at 236 W. 45th Street. For tickets, call (212) 239-6200.

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