Grosses Analysis: Come From Away Has Secured Its Spot as a Broadway Mainstay | Playbill

Grosses Grosses Analysis: Come From Away Has Secured Its Spot as a Broadway Mainstay The musical, about a small Canadian community and its unexpected visitors in the immediate aftermath of September 11, continues its impressive run at the box office.
Jenn Colella and cast Matthew Murphy

Come From Away, which shows the triumph and strength of community in the wake of tragedy, continues its Broadway run with continuous Standing Room Only crowds and a healthy gross.

Get an in-depth look at this past week's grosses.

In the week ending September 10, the new musical grossed $1,270,214, or 100.73 percent of its potential. It was one of just three shows this past week to surpass its gross potential (due to, in part, Standing Room Only tickets). Joining it were fellow box-office perennials Hamilton and Dear Evan Hansen.

Come From Away also led the pack with its capacity, reaching 101.92 percent.

Most shows took a hit in grosses in the week following Labor Day, including Hello, Dolly!, which saw two-time Tony winner Donna Murphy stepping in for Bette Midler for the full week. Taking the top spot was once again Hamilton, bringing in just south of $3 million at $2,953,869.

 
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