For his part, Gergiev is to conduct 12 weeks of concerts in London for each year of his three-year term, as well as some performances on tour.
This is in addition to the notoriously restless Russian's other jobs: principal guest conductor of the Metropolitan Opera; director of the Stars of the White Nights festival in St. Petersburg, the Moscow Easter Festival, and the Mikkeli International Festival in Finland; and music director of the Rotterdam Philharmonic, a post from which he steps down at the end of next season. Not to forget, of course, the work for which Gergiev is most famous: as artistic director, chief fundraiser, political factotum and general miracle worker of the Mariinsky Theater in St. Petersburg — with whose orchestra, ballet and opera company (still marketed in the U.S. under their Soviet-era name, the Kirov) he regularly tours the world.
Observers in London and elsewhere naturally wonder if Gergiev will be able to give to the LSO the time and attention that an orchestra needs from its chief conductor — particularly as he has has always frankly admitted that the Mariinsky is his first and last love. Yet, as Jessica Duchen observed in London's The Independent last week, "He gets results ... some of the tempi are wild ... but his interpretations often make a near-mystical experience out of a concert. [...] Boring concerts entice nobody back, however funky the marketing. But bring in a Gergiev, and tickets fly out."