3hree, the trio of one-act musicals embraced in its Philadelphia world premiere in November 2000 and still eyeing a Broadway berth, now has another tool for its marketing push: DRG Theater releases the show's original cast recording on CD, March 13.
The cast of the Prince Music Theatre production went into the recording studio with disc producer Hugh Fordin, Jan. 9 and 11. The orchestra counts 18 in the studio, with extra strings and reeds added for sweetener.
The musicals by different authors and directors — The Mice, Lavender Girl and The Flight of the Lawnchair Man — played the Prince Oct. 25-Nov. 19, 2000. Legendary director Harold Prince, for whom the Philly complex is named, directed Lawnchair Man, about an average fellow who tries to fly by attaching hot air balloons to his chair. Fordin saw the tuneful show and knew it was a property he wanted to record.
Rave reviews for the evening prompted speculation a Broadway transfer was likely. Producer Barry Brown told Playbill On-Line (Dec. 11, 2000) he was in exploratory talks with the creators of 3hree. Producers Anita Waxman and Elizabeth Williams are also involved, with Brown.
The CD's running order is as follows: The Mice:
Two Hours Here
That's All I Need
If You'd Be Mine
We've Got Time
Foolish Dreamin' / Something Beautiful
Real Enough to Change My Mind
The Flight of the Lawnchair Man
To Tame the Sky
What is That?
The Air is Free
Never Finish Before You Are Finished
Creature of the Air
The DRG CD was recorded and mixed by Cynthia Daniels, which Michael Gibson providing the orchestrations and Lawrence Yurman serving as musical director and supervisor.
Before 3hree has a chance to reach New York, the trio of musical one-acts will be on view at L.A.'s cavernous Ahmanson Theatre. The hot new property replaces a cancelled revival of Flower Drum Song, running in the April 15-June 10 slot.
3hree was almost entirely sold out for the final Philly performances, helped by a laudatory Nov. 16 New York Times review. Director Prince (Evita, Sweeney Todd, Fiddler on the Roof) staged only The Flight of the Lawnchair Man, penned by Robert Lindsey Nassif and Peter Ullian. Also on the bill were the ironic The Mice, by Laurence O'Keefe, Nell Benjamin and Julia Jordan, directed by Brad Rouse (who has served as assistant to Hal Prince since 1995); and John Bucchino and James Waedekin's Lavender Girl, with Scott Schwartz (York Theatre's No Way to Treat a Lady and Broadway's Jane Eyre) directing. The choreographer is Rob Ashford (Thoroughly Modern Millie, Paper Mill Playhouse's Pippin).
"I thought 3hree would be a very speedy way of introducing a lot of talented people to an audience," Prince said, talking to Playbill On-Line. "To put on a new, full-length show takes a lot of time. To create a show that is 2 hours 20 minutes would take me three years. I'm a slow worker! Instead, I said why not find three one-act musicals. I would work on one, two other guys would take the other two, and we could do it in a year. And we have. I consider ourselves lucky. These are three one-act musicals, and they dovetail in a nice way — although I didn't plan it that way. I didn't put on too many restrictions. But I did say we won't do them on a unit set. Each show deserves its own vision and overture. And I wanted all nine [cast members] in all three of them."
Discussing how he came to choose the teams of artists working on this production, Prince said, "A year ago this past summer I started to put the word out. I approached two men that I kind of mentored, Robert Lindsey Nasiff and Peter Ullian, and said, "I'd like to work with you. Would you get an idea for a one-act musical?" And they did. A wonderful new composer, John Bucchino, who is very popular, had written Urban Myths, which was a collection of eight one-act musicals. My daughter Daisy had said to me that there's one that would work really well in an evening of one-acts. That was Lavender Girl. So we approached him and he did more re writing, fleshed it out some and now it stands on its own.
"We got many, many ideas presented. There were some ideas that I didn't think that highly of, but these [selected ones] are very strong. We spent last year developing them and held a reading at the Director's Company last May. The reading went awfully well, I think. Marjorie came to see it and said 'Let's do it.'"
Asked about the show's New York plans, a Prince Music Theatre spokesperson told Playbill On-Line March 13, "There are plans for it to move on, but there's nothing locked in yet. No specifics." Producing director Marjorie Samoff added that the project is "under discussion. It's a complicated plan that has a lot to do with finding the right theatre at the right time. But we hope to come in in the fall."
— By David Lefkowitz
and Kenneth Jones and Christine Ehren