A.C.T. Happy to End Happy End Later, Musical Extends to July 16

News   A.C.T. Happy to End Happy End Later, Musical Extends to July 16
 
American Conservatory Theater's production of Bertolt Brecht and Kurt Weill's Happy End starring Linda Mugleston extends its run in San Francisco through July 16.
From left, Peter Macon and Charlotte Cohn in Happy End  at American Conservatory Theater.
From left, Peter Macon and Charlotte Cohn in Happy End at American Conservatory Theater. Photo by Kevin Berne

"Due to extraordinary ticket demand," according to a release," the show which began June 8 and opened June 14 at the California company's Geary Theater was originally slated to play through July 9, but now adds a week of performances. A.C.T. artistic director Carey Perloff directs with choreography by John Carrafa.

Brecht and Weill penned Happy End in 1929 to follow up their previous hit The Threepenny Opera. The Runyonesque work, set in a mythical gangland Chicago just before the "Roaring Twenties," follows the struggles of a Salvation Army lieutenant Lillian Holiday and a down-and-out mobster Bill Cracker. The action builds toward a dramatic showdown on Christmas Eve.

Tony Award-nominated Carrafa (Broadway's Urinetown, Into the Woods) serves as choreographer while Constantine Kitsopoulos (Baz Luhrmann's La Bohème, Matthew Bourne's Swan Lake) handles musical direction.

Mugleston (Nine, Into the Woods) stars as the mysterious Lady in Grey ("The Fly") in a cast that also features Charlotte Cohn (Baz Luhrmann's La Bohème), Peter J. Macon (A.C.T.'s Hecuba, Drowning Crow), (A.C.T.'s Cat On A Hot Tin Roof, The Black Rider and Broadway's Julius Caesar).

The ensemble also includes Sab Shimono (Broadway's Pacific Overtures) and A.C.T. vets Charles Dean (The Rivals), Rod Gnapp (The Time of Your Life), Steven Anthony Jones (Gem of the Ocean), Joan Harris-Gelb (A Doll's House), René Augesen (Cat on a Hot Tin Roof), Lianne Marie Dobbs (The Difficulty of Crossing a Field), Jud Williford (The Rivals) as well as Justin Leath, Celia Shuman, Jackson Davis, Dan Hiatt, Wendy James, Colin Thomson, Drew Hirshfield and Stephanie Saunders. The design team for Happy End is Walt Spangler (sets), Candice Donnelly (costumes), Robert Wierzel (lights) and Jeff Curtis (sound). Nathan Baynard is the assistant director for the production.

Perloff and the A.C.T. artistic staff have been exploring Happy End for years through readings and a workshop featuring Betty Buckley. When the planned staging of William Shakespeare's King Lear — with James Cromwell to star in the title role — was canceled due to creative differences, they chose to push the work to production.

Tickets to Happy End at A.C.T., 415 Geary St. in San Francisco, CA, by calling (415) 749-2228. For more information, visit www.act sf.org.

The Ensemble of <i>Happy End</i> at American Conservatory Theater.
The Ensemble of Happy End at American Conservatory Theater. Photo by Kevin Berne
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