Chicago's Neo-Futurists Raise Funds To Bring Light to Edinburgh

News   Chicago's Neo-Futurists Raise Funds To Bring Light to Edinburgh Soon to reach their twelfth anniversary in Chicago, the Neo-Futurists are hoping to celebrate in a big way: by going to Edinburgh, Scotland. The company plan to bring Too Much Light Makes The Baby Go Blind to the Edinburgh Fringe Festival, Aug. 8-26.

Soon to reach their twelfth anniversary in Chicago, the Neo-Futurists are hoping to celebrate in a big way: by going to Edinburgh, Scotland. The company plan to bring Too Much Light Makes The Baby Go Blind to the Edinburgh Fringe Festival, Aug. 8-26.

That takes money, of course, so the Neo-Futurists are raising cash by turning the eleven Thursday performances (May 18-July 27) into special fundraisers (albeit at the usual performance prices). Titled “30 On Thursday: Edinburgh Benefit Performances of Plays From the Archives of Too Much Light Makes the Baby Go Blind, “the evenings will offer some of the performers’ favorite plays from the more than 3,600 performed since 1988. Original TMLMTBGB are also expected to visit and take part, joining current cast-members Dave Awl, Sean Benjamin, Noelle Krimm, Anita Loomis, Steve Mosqueda, John Pierson and Diana Slickman.

Neo-Futurism was founded in 1988 by director/playwright Greg Allen. He was "tired of doing theatre for just my friends" and created the wildly successful Too Much Light Makes the Baby Go Blind, a collection of 30 plays in an hour, where the audience has the opportunity to choose the order in which the plays are done. (Several Neo-Futurists were recently in New York offering three evenings of TMLMTBGB at the Present Company Theatorium on Stanton Street, the last of which was April 25.)

Allen, a teacher of theatre history at Columbia College, bases his performance theories on the Futurist Manifestos of F.T. Marinetti. "Futurism," an artistic movement based on speed, movement and violence, was founded in 1910 by Marinetti. Allen told Playbill On-Line, "I wanted to explore the performance theories of Futurism, Dada, and Environmental Theatre. What I saw in the Futurist theories was speed and incredible energy, even today his theories are considered outrageous."

Deconstruction is, of course, par for the course in Too Much Light. The Neo-Futurist troupe mixes and matches forms ranging from the avant garde, sketch comedy, poetry, one-act plays, monologues and agit prop. Plays can range from less than ten seconds to a maximum length of about five minutes. An on stage timer keeps everyone apprised of the time left in the evening. Other fun, audience-friendly elements of the show include the entrance and admission: audience members pay $6 and then roll a single die to determine the ticket price. In other words, a ticket is no less than $6 but no more than $11.

Plays are not done in a particular order. Papers with the numbers 1-30 are strung along a clothesline above the actors' heads. As soon as one play ends, the menu-holding audience members shout out numbers of the play they want to see next. The first number grabbed off the line becomes the next play.

The troupe have penned more than 500 plays and even recorded a spoken word CD of their pieces. (Some titles on the CD include Loud Song, Grasping The Situation, Dialectical Materialism Of A Schnook, The Real Name Of This Play Has Never Been Spoken And Perhaps Can Never Be Said and Droplet. A book of 100 Neo- Futurist plays from Too Much Light Makes The Baby Go Blind is available from Chicago Plays, Inc.

As ever, TMLMTBGB also runs Fridays and Saturdays at 11:30 PM, Sundays at 7 PM at the troupe's own Neo-Futurarium in Chicago. For information, call their Chicago hotline at (773) 275 5255.

The company will also pay tribute to Mother’s Day by offering free tickets to moms for the company’s Sunday evening performance of Too Much Light Makes The Baby Go Blind, May 14.

Mothers must be accompanied by offspring, or at least show a picture of their kids to get in free. A company press release notes that moms also might receive a flower, candy and possibly “plays written just for them.”

-- By David Lefkowitz and Sean McGrath