Not only was John Lloyd Young given a chance to recreate his Tony-winning performance as lead singer Frankie Valli, two other actors from the first national tour of the musical — Erich Bergen and Michael Lomenda — were tapped to recreate their work as keyboardist-songwriter Bob Gaudio and vocal arranger-bassist Nick Massi, respectively. Only one of the Four Seasons, the troublemaker Tommy DeVito, is portrayed by a newcomer to the material, “Boardwalk Empire”’s Vincent Piazza.
“I felt, after so many performances in the role, that I would have something to contribute, so I hoped I would get a shot at the role,” said Young, who first played Valli a decade ago. "And I’m so happy I got to. The icing on the cake is the director that chose me.”
“It was sort of unprecedented that so many of the alumni of the Jersey Boys Broadway production would be involved in this,” commented Lomenda. “It was an absolute surprise when Mr. Eastwood showed up at a San Francisco matinee I was doing. I didn’t know he was casting the movie. I thought in the back of my head he was brushing up before he started shooting and had already cast the movie with Justin Bieber, or someone.”
Bergen noted that he, Lomenda and Young weren’t the only lucky ones.
|Photo by Joseph Marzullo/WENN|
“All throughout the film there are people who have done the show in various incarnations,” including Renee Marino, who plays Mary Delgado, Frank Valli’s first wife, and Erica Piccininni, a reporter who later becomes Valli’s girlfriend. To Lomenda, the decision was indicative of Eastwood’s solid instincts as a director. “I think it speaks to his character that he trusts that the Broadway company could bring a lot to the table.”
Piazza admitted to being a bit nervous entering a cast that was already so well-versed in the script.
“It was a lot of pressure that I put on myself… I knew I had to get to a place in the work where I could fit in on camera. It was a great challenge.”
However, his three castmates did not consider their newbie Four Season a drag on proceedings. Rather, he provided a welcome jolt to the system.
“We got to use pretty much the same script from the stage show,” said Bergen. “We got to see it pretty much through new eyes, Clint’s eyes. What was also fun for us was bringing in someone like Vincent Piazza, who didn’t know the stage production and had never seen it. It brought in a new energy…. It really put us on our toes.”
|Photo by Joseph Marzullo/WENN|
“The three of us guys who knew the show so well had his back every moment,” echoed Young. “And he had our back as an actor. He really revitalized our performances. He came on the set the first day improving. You know the theatre. You can’t change the lines. You’re not allowed. Vince came to the set much like his character, a bull in a china shop. We had to go with it. It revitalized us and made everything spontaneous, which as you know, is the key to having exciting performances on screen.” Bergen allowed that, when he first heard Eastwood was directing the film, he didn’t quite see the director as a natural fit.
“At first, I didn’t get it,” said Bergen. “I thought of Clint as a guy who directed, first of all, westerns. And I thought of him as this dark [director] — I thought of 'Million Dollar Baby.' Then I went back and [remembered what] Jersey Boys is. It’s not the typical Broadway musical. You end up having a typical Broadway musical experience. But it’s a play that happens to have great music.”
Lomenda, meanwhile, pointed out that both Eastwood and the members of the Four Seasons come from the same generation — all five men became famous and successful during the 1960s — and thus know the period depicted in the film very well.