Weidman told The Review that the tentative plan is to do two or three workshop/readings before September, one for the first act, one for the second and one of both if possible. Locations have not been set.
Dates for the opening at the Kennedy Center in Washington, D.C., have not been set. The show was originally scheduled for the Kennedy Center in Summer 1997.
Sondheim and Weidman unveiled at least part of Wise Guys in a private reading in New York on March 27, and later the authors indicated they were pleased.
"It went extremely well," Weidman said. "Everyone was pleased. The reading allowed us to hear what we've got and to hear the tone and style of the piece." And Sondheim told The Review: "It went very well."
The reading--of a draft of the full script and what were described as "two long songs"--was designed to give producers a chance to get familiar with the project so far. Attending were Roger Berlind, Scott Rudin and two representatives of the John F. Kennedy Center in Washington, D.C., which has commissioned Sondheim to write the show: Lawrence J. Wilker, president of the Center, and Max Woodward, director of theater programs.
As previously reported, the show is based on the lives of Addison and Wilson Mizner, two brothers whose far-flung and wide-ranging lives included card-sharking and con games during the Yukon Gold Rush, architecture and real estate speculation in Palm Beach, playwriting, boxing management, high society and Hollywood.
The reading took place at Raw Space, 529 W. 42nd St., in New York. The director for the reading was Lori Steinberg, but Sondheim said a director for the production has not been named.
Heading the cast were Broadway veterans Victor Garber (Anthony in Sweeney Todd and Booth in Assassins) as Wilson Mizner; Patrick Quinn as Addison Mizner; Cass Morgan as their mother, and Howard McGillin as Paris Singer, who has been described as Palm Beach's social disciplinarian.
Actors are often asked to participate in a reading to experiment with casting choices, but it is not an indication of casting for the final production.
In a talk at Trinity College in Hartford, Conn., on March 9, also reported in The Sondheim Review's Spring issue, Sondheim said the show, which he called a musical comedy, would have a vaudeville technique, since the brothers' lives paralleled the rise and fall of that entertainment form, from the 1880s to the 1930s.
"It's going to be very fast and I think funny," he said. "It's going to say something, I hope, about two kinds of energy this country produces--destructive and constructive--and how they are intertwined, because I think that's what these two guys represent. They also had a very intense personal relationship as well with their mother, which is also very interesting."
Both Sondheim and Weidman are minimizing other things on their schedules to allow intensive time for writing.
-- By Paul Salsini
The Sondheim Review
The Sondheim Review is a quarterly magazine devoted to the works of Stephen Sondheim. For information, call 1-800-584-1020 or write The Sondheim Review, PO Box 11213, Chicago IL 60611-0213.