Segell also looks at the instrument's identification with decadence and immorality, including its banning in Japan and an indictment by a pope.
The author is an editor at the New York Daily News. His writing has appeared in the New York Times, Rolling Stone, Sports Illustrated, and Esquire.
The singers are leading the Metropolitan Opera premiere of John Adams' work.
The production will include Bernstein’s incidental music for Lillian Hellman’s adaptation of The Lark, and Menotti’s The Unicorn, The Gorgon, and The Manticore.
Lileana Blain-Cruz's production of John Adams' opera-oratorio opened April 23.
Composer John Adams and theatre director Lileana Blain-Cruz retells the story of the Nativity, through the lens of Latin America.
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