Honeymoon Extended: I Am My Own Wife Adds Two More Weeks, But Must Close Aug. 3

News   Honeymoon Extended: I Am My Own Wife Adds Two More Weeks, But Must Close Aug. 3
I Am My Own Wife, another project by director Moisés Kaufman that defies easy categorization — is it a play? a character study? a theatrical investigation? — gets its second extension at Playwrights Horizons following critics' laurels and piqued audience interest.
Jefferson Mays in I Am My Own Wife.
Jefferson Mays in I Am My Own Wife. Photo by Joan Marcus

The solo work by Doug Wright, and directed by Kaufman, which stars Jefferson Mays as 40 international characters (including the character of playwright Wright) involved in the world of German transvestite Charlotte Von Mahlsdorf, will now run on the Playwrights Horizons mainstage to Aug. 3.

Producers have been circling, but there has been no official word about a possible commercial transfer following the current world premiere run at the not-for-profit PH Off Broadway.

Originally extended for six weeks (from its original end date of June 8 to July 20), the limited engagement will now play for an additional two weeks. Playwrights Horizons is at 416 W. 42nd Street. This is the final extension date possible, according to PH.


The show is so unusual — an actor is a black dress and pearls plays a world of male and female roles on a mostly blank set punctuated with props — that it needs an especially imaginative producer to take it to the next stage, as they say. The life of late Charlotte Von Mahlsdorf, who survived the Nazis and the communists, is explored in the new work, with the Wright character increasingly frustrated that Charlotte cannot be easily dramatized or defined. Was she a gentle aesthete and German gay culture doyenne and hostess, or did she collaborate with the communist secret police? Or was she all of the above?

Wright said in a statement: "I Am My Own Wife draws upon several sources: transcribed interviews I conducted with its subject, Charlotte von Mahlsdorf, from our initial meeting in August of 1992 until January 1993; letters we exchanged until her death in 2002; newspaper accounts of her life in the public record; her Stasi file, and my own personal, sometimes selective remembrances of our encounters. I have taken the customary liberties of the dramatist (editing for clarity, condensing several pivotal characters into one utilitarian one, and imagining some scenes I only heard recounted), while inventing others for narrative clarity. While I hope the text does justice to the fundamental truths of Charlotte's singular life and essential character, it is not a definitive biography. It is, rather, a subjective, theatrical portrait."

The New York Post reported June 20 that Take Me Out producer Carole Shorenstein Hays wants to put the intimate solo play into the Lyceum Theatre, but that could not be confirmed.

A spokesman for Playwrights Horizons previously said, "Playwrights Horizons is currently exploring many options for the future life of I Am My Own Wife. There are several producers who have expressed interest. Both Broadway and Off-Broadway are possibilities. No decision has been made. Playwrights Horizons and the creative team of I Am My Own Wife are working together to do what's best for the play."

Producers are interested for a number of reasons: The names involved, including Quills playwright Wright and Laramie Project creator Kaufman, plus the rave reviews and the affordable cast size.

I Am My Own Wife opened at PH's mainstage on West 42nd Street May 27 after previews from May 2.

The play was developed in regional theatres around the country in developmental situations (a workshop run in Chicago that wasn't meant to be reviewed got raves).


Based on a true story, and inspired by interviews conducted by the playwright over several years, I Am My Own Wife tells the tale of "Charlotte von Mahlsdorf, a real-life German transvestite who managed to survive both the Nazi onslaught and the following, repressive Communist regime," according to production notes. "The one-man play stars Obie-Award winner Jefferson Mays as a host of characters, including the controversial figure herself and an American writer who becomes intrigued by her."

The artists involved come with choice credits. Wright is the respected Obie and Kesselring Award-winning author of the play, Quills, and its screenplay; Kaufman is the director and co-creator of Gross Indecency and The Laramie Project (initiated by Tectonic Theater Project, which he founded and artistic-directs); and Obie Award winner Mays appeared in Quills, Lydie Breeze and Orestes Off-Broadway.

Designers are Derek McLane (scenic), Janice Pytel (costume), David Lander (lighting) and Andre J. Pluess and Ben Sussman (sound).

The 8 PM July 31 performance is a benefit for Playwrights Horizons, which nurtures new works. Tickets are $150 (which includes show and post-show reception) and $250 (pre-show dinner, show and reception).

Playwrights Horizons is at 416 W. 42nd Street. Tickets for I Am My Own Wife are $50. For subscription and ticket information to all Playwrights Horizons productions, call (212) 279-4200, or visit www.playwrightshorizons.org.

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