Los Angeles' Sweetheart will have a few less performances. TV and Broadway star Megan Mullally has had to alter the run of the full-scale production of her one-woman show, Sweetheart, at the Coast Playhouse in West Hollywood, due to a scheduling conflict, according to a press spokesperson. The piece will now run Oct. 14-Nov. 20 (instead of Oct. 7-Nov. 20), with an opening night scheduled for Oct. 23. Because another show is expected to follow Sweetheart, an extension to make up for lost performances seems unlikely.
Sweetheart is Mullally's exploration of relationships, from both male and female perspectives. Using 12 well-known and obscure story songs, she covers the idea of a "sweetheart" in moods that range from dark to tongue-in-cheek.
"I have to call it performance art," Mullally said (at the time of the workshop), as opposed to calling Sweetheart a cabaret or a club act. The three men in the band and herself as performers "discover" the theatre space and the audience around them. Mullally sometimes even serves as sound technician, playing music for her piece on a boom box or by giving sound cues herself.
For Mullally, who directed and wrote the piece, Sweetheart is a chance to sing songs she has always loved in a way that she finds challenging. "I thought, 'How could I perform these songs'? I don't want to just stand up in a club and sing them. They deserve better than that," she said.
In fact, she looks more at the singing of the songs as performing them than actually making them sound pretty. She explains that "it's more like acting in pitch." Part of her "pitch acting" involves taking traditional song interpretations and twisting them on their ear. One such song, the near-lullaby "Scarlet Ribbons" starts out like a children's nursery rhyme as a mother describes hearing her child pray for scarlet ribbons which miraculously appear on the child's bed the next morning. Mullally, on the other hand, reduces the mother to a frightened lunatic losing control of her mind as she suspects the forces of evil have come with the scarlet ribbons.
Several of Mullally's songs are taken from theatre sources including Richard Rogers and Lorenzo Hart's "10 Cents a Dance" (Simple Simon, 1930), Kurt Weill and Maxwell Anderson's "It Never Was You" (Knickerbocker Holiday, 1938), Stephen Sondheim's "Johanna" (Sweeney Todd) and "I Remember" ("Evening Primrose") and Weill and Bertolt Brecht's "Surubaya Johnny" (Happy End). Other songs in the evening range from anonymous ("She is My Slender" and "In the Gloaming") and traditional American (Stephen Foster's "Beautiful Dreamer") to pop with Randy Newman ("Marie," "Guilty") and Tom Waits ("Ruby's Arms").
Currently seen on NBC as Karen Walker in "Will And Grace," Mullally made her Broadway debut as Marty opposite Rosie O'Donnell in the 1994 revival of Grease. She returned again as Rosemary Pilkington with the 1995 revival of How to Succeed in Business Without Really Trying starring Matthew Broderick. Other television and film credits include "Seinfeld," "Mad About You," "Frasier," "About Last Night" and "Queen's Logic."
Also on board are Greg Kuehn (musical director), George Barker (lighting designer) and John Clemens (sound designer). Kuehn, Mathis and Berardi serve as the band as well.
Mullaly did a workshop mounting of Sweetheart at the Coast this past spring.
Tickets are $15-$25 and available by calling Tickets L.A. at (323) 655 TKTS. The Coast Playhouse is located at 8325 Santa Monica Boulevard.
-- By Christine Ehren and David Lefkowitz