"That Higher Power Came and Got Me" — How Brandy's Life Turned Around Before Broadway

News   "That Higher Power Came and Got Me" — How Brandy's Life Turned Around Before Broadway
The name on everybody's lips has been… Brandy. So, Playbill chats with the new Broadway leading lady about how life turned around right before making her Main Stem debut in Chicago


"I just changed my mind about my life, and my life started to change."

Brandy Norwood, 36, stepped into the spotlight two decades ago. She released her self-titled R&B debut album at 15 and, less than two years later, was starring as Moesha Mitchell in the hit UPN sitcom about a headstrong teen in a Los Angeles high school.

Brandy Norwood in <i>Chicago</i>
Brandy Norwood in Chicago Photo by Jeremy Daniel

But, after years of fame and success, she said that — as of late — she was in "the worst place" in her life. Things haven't always been easy for the Billboard-topping beauty.

In between straddling the worlds of film, television and pop stardom, Norwood was involved in a widely publicized, fatal car crash in 2006. Relationships continued to fail. And, she became a single mother to Sy'rai Iman Smith, now nearing 13 (Norwood and producer Robert "Big Bert" Smith split a year after her birth). Her most recent relationship was with music executive Ryan Press. After a two-year engagement, Norwood called things off in April 2014.

"I'm going to make a long story short," Norwood explains — chronicling her time before she bowed on Broadway. "It was a long time I was sad and a long time I was depressed. I just didn't believe in myself. I didn't have the strength to do anything but just make it through the day, and of course, I had that moment with God where I said, 'Listen, I need you to come and get me because I don't have the strength to come and find you… I just need you to come and get me, and I'll follow whatever you want me to do.' I believe that higher power came and got me and led me to do the work that it took to change my life.

"All it took was to make a decision to change my mind about who I was and stop believing the lies about myself — stop believing that I was a has-been, stop believing that I'm not going to ever make it again or I'm not going to ever be able to inspire people again. No. That wasn't true. I had to start telling myself a different story."

Norwood began a discipline: gym time, meditation, affirmative speaking and journaling. Six months later, she got the call to make her Broadway debut as Roxie Hart in Chicago.

"I said, 'I'm scared. I've never done anything like this, but I'm ready. I'm ready because I've done the work on me. And, I'm just going to go see.'"

Brandy Norwood and Amra-Faye Wright in <i>Chicago</i>
Brandy Norwood and Amra-Faye Wright in Chicago Photo by Jeremy Daniel

Although she is not a stranger to musical theatre — enlisted by Whitney Houston to play the Cinderella to her Fairy Godmother in the 1997 TV film adaptation of Rodgers and Hammerstein's Cinderella — Norwood was nervous.

"I always wanted to do Broadway. I always wanted to be on stage and [in] live theatre, but I wasn't ready for it," she says. However, "When I got to New York and did all my rehearsals, when I stepped on the stage as Roxie, I became a different person. I realized that I was born for theatre, and this is where I need to be, and this is what makes me feel good and happy. It really has reawakened my life in a different kind of way."

Denny Paschall, Brandy Norwood and Michael Scirrotto in <i>Chicago</i>
Denny Paschall, Brandy Norwood and Michael Scirrotto in Chicago Photo by Jeremy Daniel

Since making her Main Stem debut in April, Norwood has been knocking 'em dead as the show's headlining merry murderess. She's been making numerous television appearances to perform her favorite showstopper ("Roxie," of course) and posting her own R&B-inspired covers of the Kander and Ebb classics — which have gone viral online ("That's how I sing it when I'm not on stage," she admits). 

"The one thing I noticed about the Broadway community is that I feel like the audience is rooting for you," she says. "I don't feel like they're looking for me to make a mistake. I feel like they want me to win, and that fuels me. I'm vulnerable, but it also fuels me to entertain and to be comfortable in my work because I feel like the audience is with me… They're with all of us on stage."

Now a Broadway baby at heart, "There is a dream," she confesses. "There is a dream to be Dorothy in [the upcoming revival of] The Wiz, and let me tell you — I will give that everything I have. That role — I just feel like it's meant for me to do it, and I don't say that in an arrogant way; I say it in a humble way. I just want to feel what it's like to be Dorothy. I need to feel what that's like. I worked with Diana Ross [who played Dorothy in the 1978 film version of The Wiz] when I was 15. She played my mother in a movie ['Double Platinum'], and Whitney Houston was my fairy godmother [in 'Cinderella'], and she sang 'Home' as one of her first songs to be recognized, and I've been close to these women — Diana Ross and Whitney Houston. I just feel like I'm next in line for that. "I think Roxie has given me so much belief that I could do it, and I could really make people feel inspired, and I can really bring something to Dorothy because of the way I feel — my spirit and how genuine I feel inside."

As for Roxie, she says, "I just want to point out that this is a dream." 

She continues her star turn through Aug. 2 at the Ambassador Theatre. 

(Playbill.com features manager Michael Gioia's work appears in the news, feature and video sections of Playbill.com as well as in the pages of Playbill magazine. Follow him on Twitter at @PlaybillMichael.)

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