Repertory Theatre of St Louis 2024-25 Seasons - St Louis, MO EPA (05.11.24) | Playbill

Repertory Theatre of St Louis 2024-25 Seasons - St Louis, MO EPA (05.11.24)

CATEGORY: Performer

Repertory Theatre of St. Louis
Saint Louis, MO

Job Details

DESCRIPTION

CALL TYPE
EPA

CONTRACT
LORT Non-Rep
$1059 weekly minimum (LORT B protected)
$776 weekly minimum (LORT D protected)

AUDITION DATE
Saturday, May 11, 2024
10:00 AM - 6:30 PM (C)
Lunch 2:00 PM - 3:00 PM

APPOINTMENTS
To schedule an audition appointment please go to: https://docs.google.com/forms/... .

LOCATION
Metro Theatre Company
3311 Washington Ave
St. Louis, MO 63103

Street parking is available. Please check in at the waiting area. THIS SPACE'S VENTILATION HAS NOT BEEN VERIFIED BY ACTORS' EQUITY ASSOCIATION.

PERSONNEL
Expected to attend:
Kate Bergstrom: Augustin Family Artistic Director
Becks Redman: Associate Artistic Director
Matthew Cox: Artistic Associate

See breakdown for production specific personnel.

OTHER DATES
See breakdown for production specific dates.

OTHER
repstl.org

All actors must be fully vaccinated against COVID-19, including being two-weeks post booster shot.

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

SEEKING
Equity actors for roles in Repertory Theatre of St Louis' 2024-25 Seasons (See breakdown).

PREPARATION
Please prepare a 2-3 minute monologue. If you would like to be considered for Million Dollar Quartet Christmas, please also prepare an up-tempo 32-bar cut and bring clearly marked sheet music. An accompanist will be provided. Please also bring your headshot and resume stapled together.

BREAKDOWN

Repertory Theatre of St Louis 2024-25 Season
NOTE: Actors of any race/ethnicity encouraged to apply for any of the roles, unless otherwise specified in the character breakdown.

Some roles will be understudied.

DIAL M FOR MURDER by Frederick Knott
Directed by Melissa Rain Anderson
Loretto-Hilton Center Virginia Jackson Browning Theatre, LORT B - $1059/week (protected status)
8/27/24 – First Rehearsal
9/13/24 – First Tech
9/18/24 – First Preview
9/20/24 – Opening
10/13/24 – Closing

SEEKING:
MARGOT WENDICE: She/Her. 30s - 40s. English. Charming, witty, and somewhat naïve. Wife of Tony and ex-lover of Max. She’s wealthy and has no idea her husband is planning to kill her for her money. Excellent with language and banter. Deep emotional well. Physically agile. Stage combat needed.

MAX HALLIDAY: He/Him. 30s - 40s. American. Mystery writer and ex-lover of Margot. Quick witted, charming, excellent with language and banter. Deeply committed to saving Margot’s life.

TONY WENDICE: He/Him. 30s - 40s. English. Charming, seductive, cunning. A darkness lies in him, jealous and ruthless as he plans to kill his wife over her affair with Max and keep her money. Meticulous, exacting, and sometimes desperate.

CAPTAIN LESGATE: He/Him. 30s - 40s. English. Blue collar. A criminal. He’s conning women out of their money and resources all over town, living under a different alias each time. Possibly a brute. He’s definitely gruff under his cool demeanor. Physically agile. Stage combat needed.

INSPECTOR HUBBARD: He/Him. 40s - 50s. English. Chief Inspector, quick mind. Excellent with language.

THOMPSON: He/Him. 20s. English. A young policeman. Naïve, alert.

THE ROOMMATE by Jen Silverman
Directed by Rebekah Scallet
Emerson Studio Theatre, LORT D - $776/week (protected status)
10/1/24 – First Rehearsal
10/19/24 – First Tech
10/23/24 – First Preview
10/25/24 – Opening
11/17/24 – Closing

SEEKING:
SHARON: She/Her. 50s. Has lived a normal, safe, Midwestern life. Recently divorced, her craving for adventure is awoken by her new roommate, Robyn.

ROBYN: She/Her. 50s. Longs to leave her past behind, settle down, and start over. She is reserved, but eventually opens up to Sharon and influences her to see life in a new light.

MILLION DOLLAR QUARTET CHRISTMAS by Colin Escott
Directed by Keith Andrews
Co-presented with STAGES St. Louis
Loretto-Hilton Center Virginia Jackson Browning Theatre, LORT B - $1059/week (protected status)
11/12/24 – First Rehearsal
11/29/24 – First Tech
12/4/24 – First Preview
12/6/24 – Opening
12/22/24 – Closing

SEEKING:
ELVIS PRESLEY: He/Him. 20s. Singer, guitar player, a giant of American music at the dawn of his epic career.

CLYDE’S by Lynn Nottage
Directed by TBD
Loretto-Hilton Center Virginia Jackson Browning Theatre, LORT B - $1059/week (protected status)
1/14/25 – First Rehearsal
1/31/25 – First Tech
2/5/25 – First Preview
2/7/25 – Opening
3/2/25 – Closing

SEEKING:
CLYDE: She/Her. 30s - 50s. Black. Owner of the sandwich shop. Formerly incarcerated. Frighteningly charming, her way or the highway. Invulnerable, insensitive, tyrannical.

MONTRELLUS: He/Him. 40s - 50s. Black. Head sandwich chef. Formerly incarcerated. Interested in healing. Kind, patient, sensitive.

RAFAEL: He/Him. 20s - 30s. Latinx. Line cook at the stop. Formerly incarcerated. A romantic. Charming, playful, recovering.

LETITIA: She/Her. 20s - 30s. Black. Line cook at the stop. Formerly incarcerated. A single mother to a daughter with health issues. Quick-witted, independent, a survivor.

JASON: He/Him. 20s - 30s. White. Line cook at the stop. Formerly incarcerated. White supremacist affiliation. Earnest but lost. Harsh, proud, standoffish.

SHERWOOD: THE ADVENTURES OF ROBIN HOOD adapted by Ken Ludwig
Directed by TBD
Loretto-Hilton Center Virginia Jackson Browning Theatre, LORT B - $1059/week (protected status)
2/25/25 – First Rehearsal
3/14/25 – First Tech
3/19/25 – First Preview
3/21/25 – Opening
4/13/25 – Closing
All roles must be comfortable with stage combat.

SEEKING:
ROBIN HOOD: He/Him. 20s - 30s. British. The iconic hero, a charming rascal. He steals from the rich and gives to the poor.

MAID MARIAN: She/Her. 20s - 30s. British. The best archer in all of England. Noble and independent.

FRIAR TUCK: He/Him. 30s - 50s. British. The narrator, an earnest warrior, and Robin’s guide.

LITTLE JOHN: He/Him. 30s - 40s. British. The strongest fighter in Nottingham. Simple, but with a heart of gold.

DEORWYNN: She/Her. 20s - 30s. British. A fiery young woman deeply affected by the tyranny of her government.

SIR GUY OF GISBOURNE: He/Him. 30s - 40s. British. The current Earl of Nottingham, vile and cruel. Willing to do anything to achieve his ends.

THE SHERIFF OF NOTTINGHAM: He/Him. 20s - 40s. British. A cowardly enforcer of the tyrannical government.

PRINCE JOHN: He/Him. 30s - 40s. British. The usurper of the English throne. Completely self- absorbed. Willing to do anything to retain his newfound power.

SALARY

LORT Non-Rep (See Above)

UNION

AEA

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